As a husband and wife to each other, as well as parents to a teenage boy, Jessica and Dan have built both real and digital worlds together. Dan is the one who brings a thousand ideas, Jessica is the one who distils and processes those ideas; if Dan is the train of thought then Jessica is the train driver. This special relationship makes the studio unique, but I worry how this will change now Jessica plans to take a further step away from The Chinese Room by leaving the office to focus on writing music.
"The games we're developing now are the first games that I haven't had a direct day to day development relationship with," laments Jess, when I ask her how the step back has felt. "That's been really tough for me, actually; it's been very strange because I've been there every step of the way in every element for the first three games, whereas now I'm going to be basically writing the music for the new games."
It's this soft separation from the office that she feels isn't working, as the rest of the team hold too much respect for her to not ask her opinion on various matters.
"Every day someone will come in and ask me to have a look at something, so I'm only half out", she explains. "I'm going to move out of the offices at The Chinese Room because it's really tough to have one foot in and one foot out; it's quite painful.
"I feel like I need a clean break from the studio, because my personality dictates I'm not very good at having that half foot in. I love writing music and I think that's what I rediscovered with Rapture; that passion for what I'm really good at.
"Running the company was always Dan's dream, it was never mine. But I always helped. I really enjoyed running the company but it has taken me away from my own passion and my own dream, which is to write as much music as I can."